MEDIA

"O zittre nicht", Die Zauberflöte (Mozart)

Jesús López Blanco, piano. Teatro Circo de Albacete
"O zittre nicht", Die Zauberflöte (Mozart)
"O zittre nicht", Die Zauberflöte (Mozart)
00:51
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"O zittre nicht", Die Zauberflöte (Mozart)

Jesús López Blanco, piano. Teatro Circo de Albacete
"Les oiseaux dans la charmille", Les contes d'Hoffmann (Offenbach)
00:38
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"Les oiseaux dans la charmille", Les contes d'Hoffmann (Offenbach)

Jesús López Blanco, piano. Teatro Circo de Albacete
"Me llaman la Primorosa", El barbero de Sevilla (Giménez/Nieto)
00:41
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"Me llaman la Primorosa", El barbero de Sevilla (Giménez/Nieto)

Ricardo Francia, piano. Auditorio de Valleseco
"Cecilia Rodríguez-Morán drove Richard Strauss' 'Zerbinetta's aria' in an easy and light manner to dizzying heights."

/ /  Holsteinischer Courier

"Cecilia Rodríguez-Morán, with her voice and delightfully fluent coloratura plus a few bitchy quirks, was unbeatable."

/  Ihr Opernratgeber

"The 'Jesu, komm' in meine Seele' was shaped by Cecilia Rodríguez-Morán with a clear, vibrato-rich soprano voice, that turned the little aria into a radiant event."

/  Westfälische Nachrichten

"Cecilia Rodríguez-Morán is a wonderfully lively and playful Lisetta who brings her coloratura to the highest notes with pinpoint accuracy. "

/  Kultur-Port.de

"Cecilia Rodríguez-Morán plays Lisetta splendidly over the top. Many parents in the audience have sure seen parallels with their teenage daughter."

/ Das Opernmagazin

 "In particular, the Spaniard Cecilia Rodríguez-Morán engaged the audience with her humorous interpretation and crystalline treble in Jacques Offenbach's 'Olympia's Aria'."

/  Holsteinischer Courier

"Especially outstanding is Cecilia Rodríguez-Morán as Melia, who sings particularly captivating in a pleading duet with her father Oebalus. "  

/  Neue Osnabrücker Zeitung